Shirley MacLaine (born Shirley MacLean Beaty, April 24, 1934) is an American actress, author and former dancer. Known for her portrayals of quirky, strong-willed and eccentric women, she has received numerous accolades over her seven-decade career, including an Academy Award, an Emmy Award, two BAFTA Awards, six Golden Globe Awards, two Volpi Cups and two Silver Bears. She has been honored with the Film Society of Lincoln Center Tribute in 1995, the Cecil B. DeMille Award in 1998, the AFI Life Achievement Award in 2012, and the Kennedy Center Honor in 2013.
Born in Richmond, Virginia, MacLaine made her acting debut as a teenager with minor roles in the Broadway musicals Oklahoma! and The Pajama Game. She made her film debut with Alfred Hitchcock's black comedy The Trouble with Harry (1955), winning the Golden Globe Award for New Star of the Year – Actress. She rose to prominence with starring roles in Around the World in 80 Days (1956), Some Came Running (1958), Ask Any Girl (1959), The Apartment (1960), The Children's Hour (1961), Irma la Douce (1963), and Sweet Charity (1969).
A six-time Academy Award nominee, MacLaine won the Academy Award for Best Actress for the comedy-drama Terms of Endearment (1983). Her other prominent films include The Turning Point (1977), Being There (1979), Madame Sousatzka (1988), Steel Magnolias (1989), Postcards from the Edge (1990), In Her Shoes (2005), Bernie (2011), The Secret Life of Walter Mitty (2013), Elsa & Fred (2014), and Noelle (2019).
MacLaine starred in the sitcom Shirley's World (1971–1972) and played the eponymous fashion designer in the biopic television film Coco Chanel (2008), receiving nominations for a Primetime Emmy Award, a Screen Actors Guild Award, and a Golden Globe Award for the latter. She also made appearances in several television series, including Downton Abbey (2012–2013), Glee (2014), and Only Murders in the Building (2022). MacLaine has written numerous books regarding the subjects of metaphysics, spirituality, and reincarnation, as well as a best-selling memoir, Out on a Limb (1983).
Early life and education
Named after child actress Shirley Temple (who was 6 years old at the time), Shirley MacLean Beaty was born on April 24, 1934, in Richmond, Virginia. Her father, Ira Owens Beaty, was a professor of psychology, public school administrator, and a real estate agent. Her Canadian mother, Kathlyn Corinne (née MacLean), was a drama teacher from Wolfville, Nova Scotia. MacLaine's younger brother is the actor, writer, and director Warren Beatty; he changed the spelling of his surname for his career. In religion, their parents raised them as Baptists. Her uncle (her mother's brother-in-law) was A. A. MacLeod, a Communist member of the Ontario legislature in the 1940s. While MacLaine was still a child, Ira Beaty moved his family from Richmond to Norfolk, and then to Arlington and Waverly, then back to Arlington eventually taking a position at Arlington's Thomas Jefferson Junior High School in 1945. MacLaine played baseball on an all-boys team, holding the record for most home runs, which earned her the nickname "Powerhouse". During the 1950s, the family resided in the Dominion Hills section of Arlington.
As a toddler, she had weak ankles and fell over with the slightest misstep, so her mother decided to enroll her in ballet class at the Washington School of Ballet at the age of three. This was the beginning of her interest in performing. Strongly motivated by ballet, she never missed a class. In classical romantic pieces such as Romeo and Juliet and The Sleeping Beauty, she always played the boys' roles due to being the tallest in the group and the absence of males in the class. Eventually, she had a substantial female role as the fairy godmother in Cinderella; while warming up backstage, she broke her ankle, but then tightened the ribbons on her toe shoes and proceeded to dance the role all the way through before calling for an ambulance. Ultimately she decided against making a career of professional ballet because she had grown too tall and was unable to perfect her technique. She explained that she didn't have the ideal body type, lacking the requisite "beautifully constructed feet" of high arches, high insteps and a flexible ankle. Also slowly realizing ballet's propensity to be all-consuming, and ultimately limiting, she moved on to other forms of dancing, acting and musical theater.
She attended Washington-Lee High School, where she was on the cheerleading squad and acted in school theatrical productions.
