Olavum Theeravum: Baputty, a timber trader falls in love with his dead friend's sister Nabeesa. However her mother, a prostitute, wants to marry her off to Kunjali, a wealthy trader. But Baputty and Nabeesa are determined to marry each other. Kunjali rapes Nabeesa, and offers to marry her as a compensation. The story culminates in a dramatic confrontation between the two men, with Bapputty asserting his love for Nabeesu. But by the time he reaches Nabeesu's home after beating down Kunjali, Nabeesu would have committed suicide due to the trauma caused by the rape.
Kadugannava, Oru Yathra Kurippu: A journalist named Venugopal travels to Sri Lanka for an official purpose, but is motivated to explore a place called Kadugannava, motivated by a childhood mystery involving his father and a young girl named Leela. He searches for Leela in the village of Kadugannava, where his father once lived, hoping to uncover the truth about their past. He finds out evidences pointing to the truth that Leela was born out of a Sri Lankan woman whom his father had married while he was living there. Leela is still alive, and she and her son lives in abject poverty. Leela refuses to meet Venu. Venu leaves the place entrusting money to a trusted local of Sri Lanka, to meet Leela and her son's needs.
Kazhcha: Sudha, a woman living in a troubled marriage, returns to her Kerala village to inform her family of her decision to divorce. Faced with opposition and societal pressure, she seeks advice from an elderly woman named Valiyamma. The story explores themes of women's choices, societal expectations, and the complexities of marriage.
Shilalikhitham: A historian, Gopalankutty, and his daughter witness a young woman dying alone in their village. The indifference of the villagers to the woman's plight becomes a focal point of the story, highlighting societal hypocrisy and the failure to help those in need. This story paints a picture that contradicts the popular nostalgic narrative that villages are full of innocence, love and empathy while cities are not.
Vilpana: A journalist, Sunil Das, encounters a mysterious woman named Mrs. Parekh while looking for buying a second hand typewriter. When he arrives at her house for the same, she asks his help to sell off other furniture in the house to other potential buyers who keeps coming. The story delves into the loneliness of Ms. Parekh, the complexities of human connection and the unexpected bonds that can form between strangers.
Sherlock: Balu, a recovering alcoholic, visits his sister in Philadelphia. He develops a strained relationship with her pet cat, Sherlock, who seems to have an uncanny ability to expose Balu's secrets. The loneliness of Balu's sister whose husband is always away on work tours, is also shown. The story explores themes of surveillance, privacy, and the complexities of family relationships.
Swargam Thurakkunna Samayam: Kuttinarayanan, known for his expertise in end-of-life rituals, is called to a dying man's bedside. The arrival of the man's selfish children disrupts the peaceful atmosphere, revealing the stark contrast between the dying man's character and his family's materialistic values.
Abhayam Thedi Veendum: A stranger arrives in a village and takes refuge in an abandoned house. As he becomes increasingly attached to the place, he faces resistance from the local villagers. The story builds suspense as the stranger awaits a confrontation with the house's owner, ultimately revealing a chilling truth.
Kadalkkaattu: A successful businessman leads a double life, juggling his family in the village and a lover in the city who is unaware that he is married. His life takes an unexpected turn when his lover asks him to marry her and he says no. The lover is crestfallen on his refusal and goes ahead to marry someone else without informing the businessman. Saddened by this, he goes back to his pregnant wife and child in his village to start his abandoned life afresh. His wife is revealed to have been aware of his affair, and is shown to be relieved that he has let go of the affair.
